Olga Regitze

EDUCATION
 

2020-2022  Master of Fine Arts in Scenography, Norwegian Theatre Academy

2013 - 2016   Bachelor of Arts in Design Culture, Southern University of Denmark
2010 - 2011   Studies in Theology, Copenhagen University

​
 

SCENOGRAPHY & DESIGN

​

2022
 

Scenography & costumes:
”Trouble in Tahiti”, Leonard Bernstein, instr. John Wilkie

Den Fynske Opera & Operaen i Midten, DK  
 

Costumes:
”REtransLATE”, Mirte Bogaert,
Studio USF Bergen, RAS, BIT teatergarasjen, NO 
 

Scenography:
”You’re Somehow Connected”,
PASSAGE festival, CLICK festival, Kulturværftet, DK

Concept, scenography & costume:
”Walking, Talking Minerals”,
Overgaden for samtidskunst, CPH, DK 

Scenography & costume:
”Cocoon”,
Norwegian Theatre Academy, Fredrikstad, 2022, NO

Concept, scenography & costume:
”Walking, Talking Minerals”,
Norwegian Theatre Academy, Fredrikstad, NO

Visual and gastronomic scenography:
”Twisted Skins, Distorted Realities. A symposium”,
Fredrikstad, NO 

Concept, scenography & costume:
”Walking, Talking Minerals”,
Palmera Gallery, Meteor International Theatre Festival, Bergen, NO
 

Tour manager:
”For Ever Four Seasons”
Convoi Exceptionnel, Konepaja Vallila Stage, Helsinki, FI  
 

2021
 

Audio scenography:
”REVERB - Architecture of memory”
”Our Grusome Cultural Herritage research programme”, Latvijas Jauna Teatra Instituts, Riga 

Video design:
”Walking talking minerals”
memorial video design, Håøya Island, NO 
 

Concept, design and scenography:
”Shi”
Hydrogenfabrikken, Fredrikstad, NO 
 

2020
 

Visuel design and production:
”you’re Somehow Connected”
Århus Musikhus, DK 
 

Graphic design:
”Under Overgang” 
Forlaget Antipyrine, Museum Ovartaci, Århus, DK 
 

2019

Exhibition design;
”Global Goals World Cup Journal”
Hudson Yards, New York, USA

Design, art direction & project management:
”Global Goals World Cup Europe”
BLOX, Copenhagen, DK 
 

Scenographer:
”TV-Prisen 2019”
Tivolis Congres center, Ampd, Copenhagen, DK (2019)

Scenographer & project management:
”Chr. Hansen fair”
Ampd, Hannover, Bangkok, DE

2018
 

Scenographer:
”AQUA tour” 
Ampd, DK 

Scenographer:
”Zulu Awards Festival”
Ampd, TV 2  & Drive Studios, Royal Arena, Copenhagen, DK

Design & project management:
”Roskilde Festival Train Station”
DSB, Ampd, Roskilde Festival, DK (2018-2019)

Design & project management:
”Mad Max bar”
Ampd, Copenhell, DK 
 

Stage production:

”Tryl”

Copenhagen Opera Festival, Ampd, Copenhagn Opera House, DK 
 

Stage production:
”Zulu menneskekender”
Snowmann Productions, Ampd, Nordisk Film, DK 

Project manager:
”Sommerhuset”
Danmarks radio, DR BYEN, Ampd, Copenhagen, DK 

Exhibition production: ”
Husk Mit Navn”
BIG art, Ampd, Kunsthal Charlottenborg, Cph, DK 

Exhibition production
”Change Yourself”
by Jeppe Hein, Ampd, Heartland Festival, Egeskov Slot, DK

Visual production:
”BLAST Pro Series”,
Ampd, Ülker Sports Arena, Istanbul, IST

Visual research:
”Under Bølgerne, Over Skyerne”
Dir. Katrine Brocks, Den danske filmskole, DK 

Production manager:

”Subspace” (Assa Rytter), ”Månesyge”(Michella Bredahl), ”UTOPIA 214” (Camilla Arlien)
Den Danske Filmskole

2017
 

Set dresser:
”Coming Back From The Gas Station - Everything That Melts Through Us”
Andreas Emenius
Copenhagen Art Week 

Production design:
”CBB” 
Honeytrap, Cph, DK 

Food styling:
”Kysters madværksted - sealer og sousvide”
OBH nordica, Skovdal Foto, Copenhagen, DK
 

Event & community manager:
”Republikken”
Copenhagen, DK 

Event coordinator:
”Rita Blås Lopper” (2017-)
Sdr. Boulevard, CPH Volume, Roskilde festival, Kulturhuset Nansensgade, DK

2016
 

Exhibition design, curator and moderator w. artisttalk:
”Songs From a Soup Can”, Jamboy
Tapperiet, DK 

​

PUBLICATIONS & PRINTS

​

2021 - Under Overgang -  et auditivt aftryk
 

2019 - GGWCUP Journal

​

TALKS, PANELS & WORKSHOPS

​

2022 - Agency of Things  #01 Carrier Bag, Norwegian Theatre academy, Fredrikstad, Norway. 

2022 - Twisted Skins - Distorted Realities: A Symposium: Norwegian Theatre academy, Fredrikstad, Norway. How to deal with the autonomy of things in an artistic way? How to create spaces of experience - equalizing materialities and non-human bodies?

2021 - The Fetish Academy. Workshop: The Norwegian Theatre Academy, Fredrikstad, Norway

How can fetishized objects function as a catalyst for decolonial processes? 

​

2019 - The connection between Global Goal 5 – Gender Equality – and Global Goal 11 – Sustainable Cities and Communities. Panel: SAP Next-Gen Lab, Hudson Yards, New York
 

2018 - Herstory Arena. A new gender equality narrative. 

Panel: Danish Architecture Center - DAC BLOX, Copenhagen,  Denmark

​

2018 - Morgen DAC: "Ligestilling i byens rum". Talk: Danish Architecture Center - DAC BLOX, Copenhagen,  Denmark

​

FEATURES

​

2019 - REMAIN JOURNAL by Birger Christensen